Roya Amigh

Beyond Us

An overview image of the exhibition “Beyond Us“ at the Boston Sculptors Gallery

From the sanctuary of my window

2024, paper, thread, lace, pieces of cloth, and (non-toxic) resin, 59 x 31 x 15 inches

I Still Rise

2023, paper, thread, lace, and pieces of cloth and mirror, 51 x 59 x 34 inches

Looming danger

2023, paper, thread, lace, pieces of cloth, and (non-toxic) resin, 29 x 69 x 16 inches

VIEW_10, detail 1.jpg

A Line of Speed and Fire [Khatti ze Sor'at va Atash, 1980]

2022, paper, thread, lace, and pieces of cloth and mirror, 34 x 31 x 6 inches

A Line of Speed and Fire

A Line of Speed and Fire

I am intimate with the sun

2023, Paper, thread, lace, hibiscus petals, pieces of cloth, and (non-toxic) resin, 39 x 30 x 8 inches

I called your name in the darkness

Description: coming soon

2022, Paper, thread, lace, and pieces of cloth, 19 x 17 x 5 inches

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In my sleep I migrate back

2022, Paper, thread, and pieces of cloth 21 x 14 x 2 inches

Absolutism and Sexuality

Listen to the distant voice

2021, paper, thread, lace, and pieces of cloth and mirror, 60 x 49 x 15 in

Listen to the distant voice, 1.jpg

Listen to the distant voice, 2.jpg

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Welcome and entertain them all

2019, 56 x 41 x 18 inches, paper, thread, lace, and pieces of cloth.

I Sinned a Sin Full of Pleasure

2019, paper, thread, lace, and pieces of cloth and mirror, 60 x 41 x 10 in

The coerced contact

2016, 64 X 62 X 35 inches, paper, thread, lace, and pieces of cloth.

The coerced contact 3.jpg

The coerced contact 1.2.jpg

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Back to Work

From the sanctuary of my window

A Line of Speed and Fire

A Line of Speed and Fire [Khatti ze Sor'at va Atash, 1980]

I am intimate with the sun

I called your name in the darkness

In my sleep I migrate back

Absolutism and Sexuality

Listen to the distant voice

Welcome and entertain them all

I Sinned a Sin Full of Pleasure

The coerced contact